Conclusion: Sephardic Art and the First Modernist Sephardic Artists
The conclusion to Devin E. Naar's series Sephardic Art and the First Modernist Sephardic Artists.

Moabet (מואביט) is a Ladino (or Judeo-Spanish) term that means essentially “intimate conversation.” It is not only a Ladino word: moabet draws its meaning from the broader Eastern Mediterranean cultural contexts in which Jews have been embedded for generations. The term stems from Ottoman Turkish (محبت – muhabbet), which in turn comes from Arabic (مَحَبَّة – maḥabba). Maḥabba literally means love—love of the soul. We express this love, in other words, through the deep connections that form through conversation with others. This column is dedicated to moabet—and to the voices and concerns of various communities of Sepharadim past, present, and future; it is a space where the cultures and histories of Mediterranean peoples can be explored in the mode of moabet—meandering and lingering, revealing new insights and perspectives into occluded pasts and imagined futures.
The conclusion to Devin E. Naar's series Sephardic Art and the First Modernist Sephardic Artists.
The third and final installment of Devin E. Naar's series Sephardic Art and the First Modernist Sephardic Artists.
“Unity is plural and at minimum two.” —Buckminster Fuller In the context of the harrowing events of October 7th, the ...
Editor’s Note In part 2 of the series “Sephardic Art and the First Modernist Sephardic Artists,” I look at three ...
This is the first in a series of essays about the largely invisible yet dynamic world of art created by Sephardic Jews...
Para moabet no se kere kandil. (Moabet continues into the darkness.)1 Moabet (מואביט) is a Ladino (or Judeo-Spanish or Judezmo) ...